Biography of photography edward weston williams

He has been called "one of the most innovative and influential American photographers" [ 1 ] and "one of the masters of 20th century photography. It is said that he developed a "quintessentially American, and especially Californian, approach to modern photography" [ 3 ] because of his focus on the people and places of the American West.

Some of his most famous photographs were taken of the trees and rocks at Point Lobos , California, near where he lived for many years. Weston was born in Chicago and moved to California when he was He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time.

Within a few years, however he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.

Edward weston photos

In he was diagnosed with Parkinson's disease and he soon stopped photographing. He spent the remaining ten years of his life overseeing the printing of more than 1, of his most famous images. She was nine years older than he, and they developed a very close bond that was one of the few steady relationships in Weston's life. His father remarried when he was nine, but neither Weston nor his sister got along with their new stepmother and stepbrother.

After May was married and left their home in , Weston's father devoted most of his time to his new wife and her son. Weston was left on his own much of the time; he stopped going to school and withdrew into his own room in their large home. He began photographing in Chicago parks and a farm owned by his aunt, and developed his own film and prints.

Later he would remember that even at that early age his work showed strong artistic merit. In May and her family moved to California, leaving Weston further isolated in Chicago. He earned a living by taking a job at a local department store, but he continued to spend most of his free time taking photos, Within two years he felt confident enough of his photography that he submitted his work to the magazine Camera and Darkroom , and in the April issue they published a full-page reproduction of his picture Spring, Chicago.